1. The book demonstrates how art, history and cultural heritage can help to create a climate-literate public that responds to environmental issues and climate change in an informed way. 2. Sutton shows how arts and humanities approaches to environmental and climate change can engage a far wider public in learning, conversation and action than science can alone. This will make the book most interesting to readers looking for ways to broaden engagement with environmental and climate issues. The ideas shared within the book should also act as inspiration for a broad spectrum of practitioners, particularly those writing, designing, and curating public engagement materials in museums and for the media. 3. Unlike competing titles, the proposed book references the growing body of broad-reaching material (instead of focusing on single-topic research (archaeology), or a single genre of museums (science or natural history)). Unlike other titles, it also collects usually isolated and distinctive examples into one publication.

1. The book demonstrates how art, history and cultural heritage can help to create a climate-literate public that responds to environmental issues and climate change in an informed way. 2. Sutton shows how arts and humanities approaches to environmental and climate change can engage a far wider public in learning, conversation and action than science can alone. This will make the book most interesting to readers looking for ways to broaden engagement with environmental and climate issues. The ideas shared within the book should also act as inspiration for a broad spectrum of practitioners, particularly those writing, designing, and curating public engagement materials in museums and for the media. 3. Unlike competing titles, the proposed book references the growing body of broad-reaching material (instead of focusing on single-topic research (archaeology), or a single genre of museums (science or natural history)). Unlike other titles, it also collects usually isolated and distinctive examples into one publication.

Sleep problems are among the most common, urgent and undermining troubles parents meet. This book describes Dilys Daws' pioneering method of therapy for sleep problems, honed over 40 years of work with families: brief psychoanalytic therapy with parents and infants together. Offering tried and tested ways of helping parents work things out better with their babies when such problems arise, this new edition of Dilys Daws' classic work, updated with expert help from Sarah Sutton, frees professionals from the burden of feeling they need to rush to give advice to families, showing instead how to begin the challenging journey of discovering new emotions that every baby brings. It sheds light on the sleep problem in the context of a whole range of aspects of the early world: the regulation of babies' physiological states; dreams and nightmares; the development of separateness; separation and attachment problems; and connections with feeding and weaning. This much-needed, compassionate and well-informed guide to helping parents and babies with sleep problems draws on twenty-first century development research and rich clinical wisdom to offer ways of understanding sleep problems in each individual family context, with all its particular pressures and possibilities. It will be treasured by new parents struggling with sleeplessness and is enormously valuable for anyone working with parents and their babies.

Why is love not enough for children whose early lives have been disturbing? What makes it so hard for such children to make the most of new relationships? How can we help children whose minds are adapted to adversity take in new experience? In the new era of brain research, neuroscience shows the way ahead. Being Taken In looks at the neuroscience showing how the mother/infant framing relationship wires in our way of understanding the world, and sets a navigation system, complete with built-in danger alerts. For disturbed children, these danger alerts are everywhere, and can even be triggered by the caregiver themselves. This makes the world a disturbing place, not just in the past, but right now. This book applies neuroscience and child development research to clinical practice, and points to emotional regulation through attunement and reflexivity as key factors in effecting change.

Psychoanalysis, Neuroscience and the Stories of Our Lives: The Relational Roots of Mental Health offers a new understanding of identity and mental health, shining the light of twenty-first century neurobiology on the core tenets of psychoanalysis. Accessibly written, it outlines the great leaps forward in neuroscience over the past three decades, and the consequent implications for understanding mental health symptoms today. Central to the book is the idea that the seeds of mental illness are discovered not in the individual's own fallibilities, but in the complex relationships we experience from our very first moments. Integrating the latest neuroscientific research, it depicts the individual as inherently interdependent with their environment, their neurobiological and emotional foundations framed by the context in which they are raised. Integrating traditional psychoanalytic ideas with findings from neurobiology and neuroscience, it reframes the oedipal set up, examines clinical depression as the presence of absence, and revisits resistance and the neurobiology of denial. Weaving narratives drawn from clinical practice, and highlighting implications for contemporary lives, the book is a tour de force, smashing the myth that our minds develop separately from the world around us. This clear, lucid book, providing a timely overview of emotional and neurobiological development, will appeal to both psychologists and psychoanalysts. It will be also be a key reference work for mental health professionals, particularly those working in early years services.

Finding themselves in 1914, Simon, Liz, Jade, Neil and Charlotte realise that this isn’t an alternate phase of history. This is really their past and anything they change could have serious repercussions. While Simon and Neil watch for the barrier to return and Jade tries to ensure Charlotte doesn’t tamper with the past, Liz insists on attending the meeting of local suffragette, Flora Walsh. When Simon realises the real reason why Liz wants to meet Flora, he’s shocked. Flora is Liz’s great grandmother. And Liz knows she is destined to die the following day. All Liz wants to do is spend that final day with her. What’s the harm in that? Cast: Cheryl Burfield (Liz Skinner), Spencer Banks (Simon Randall), Sarah Sutton (Charlotte Trent), Rachel Fenwick (Flora Walsh), Luke R. Francis (Leo Baxter / Parkes) Orlando Gibbs (Neil Riley / Butler), Hugh Ross (Sir Crispin Grawl/American Captain), Amanda Shodeko (Jade Okafor). Other parts played by members of the cast.

Psychoanalysis, Neuroscience and the Stories of Our Lives: The Relational Roots of Mental Health offers a new understanding of identity and mental health, shining the light of twenty-first century neurobiology on the core tenets of psychoanalysis. Accessibly written, it outlines the great leaps forward in neuroscience over the past three decades, and the consequent implications for understanding mental health symptoms today. Central to the book is the idea that the seeds of mental illness are discovered not in the individual's own fallibilities, but in the complex relationships we experience from our very first moments. Integrating the latest neuroscientific research, it depicts the individual as inherently interdependent with their environment, their neurobiological and emotional foundations framed by the context in which they are raised. Integrating traditional psychoanalytic ideas with findings from neurobiology and neuroscience, it reframes the oedipal set up, examines clinical depression as the presence of absence, and revisits resistance and the neurobiology of denial. Weaving narratives drawn from clinical practice, and highlighting implications for contemporary lives, the book is a tour de force, smashing the myth that our minds develop separately from the world around us. This clear, lucid book, providing a timely overview of emotional and neurobiological development, will appeal to both psychologists and psychoanalysts. It will be also be a key reference work for mental health professionals, particularly those working in early years services.

Sleep problems are among the most common, urgent and undermining troubles parents meet. This book describes Dilys Daws' pioneering method of therapy for sleep problems, honed over 40 years of work with families: brief psychoanalytic therapy with parents and infants together. Offering tried and tested ways of helping parents work things out better with their babies when such problems arise, this new edition of Dilys Daws' classic work, updated with expert help from Sarah Sutton, frees professionals from the burden of feeling they need to rush to give advice to families, showing instead how to begin the challenging journey of discovering new emotions that every baby brings. It sheds light on the sleep problem in the context of a whole range of aspects of the early world: the regulation of babies' physiological states; dreams and nightmares; the development of separateness; separation and attachment problems; and connections with feeding and weaning. This much-needed, compassionate and well-informed guide to helping parents and babies with sleep problems draws on twenty-first century development research and rich clinical wisdom to offer ways of understanding sleep problems in each individual family context, with all its particular pressures and possibilities. It will be treasured by new parents struggling with sleeplessness and is enormously valuable for anyone working with parents and their babies.

Two new adventures bringing back one of the Doctor's most `popular' foes - the Cybermen! Warzone - At Warzone, competitors gather from across the galaxy to test the limits of their endurance and achieve their personal best. So,when the TARDIS materialises in the middle of a racetrack, the Doctor and his friends must literally run for their lives. Conversion - On the fringes of the galaxy, techno-pirates and research medics fight for the secrets of advanced extra-terrestrial technology. For the Doctor, however, a more personal battle awaits as he confronts his own guilt and the creatures that killed a friend: the Cybermen. CAST: Peter Davison (The Doctor), Sarah Sutton (Nyssa), Janet Fielding (Tegan Jovanka), George Watkins (Marc), David Banks (The Cyber Leader), Timothy Blore (Morris), Angela Bruce (Herb), Silas Carson (Commentator), Mark Hardy (Cyber Lieutenant), Pepter Lunkuse (Esma), Liz Sutherland-Lim (Creasey). Other parts played by members of the cast.

You are cordially invited to Argentia, the galaxy’s most exclusive tax haven, to attend the funeral of mining magnate Carlo Mazzini. The memorial service will be followed by music, light refreshments, and murder! Carlo’s heirs have come to say their final goodbyes (and find out how much they’ve inherited) but when a masked killer begins picking them off one by one, Argentia goes into lock-down, closed off behind its own temporal displacement field. Can the Doctor, Nyssa, Tegan and Adric apprehend the murderer before Argentia – and everyone on board - is forever cut off from the rest of the Universe? Big Finish have been producing Doctor Who audios since 1999, starring Tom Baker, Peter Davison, Colin Baker, Sylvester McCoy, Paul McGann, David Tennant and John Hurt. This release's director - Barnaby Edwards - is not only a prolific Big Finish director, but as an actor is the lead Dalek operator on TV's Doctor Who. Peter Davison - the Fifth Doctor on television - is also well known from other TV shows such as The Last Detective, Campion and A Very Peculiar Practice, while more recently he's been a significant presence in many high profile West End musical productions including Legally Blonde. CAST: Peter Davison (The Doctor), Janet Fielding (Tegan Jovanka), Sarah Sutton (Nyssa), Matthew Waterhouse (Adric), Samuel West (The Mazzini Family), Phil Cornwell (Superintendent Galgo / Zaleb 5), Sophie Winkleman (Sofia).

Two adventures from the early 1980s with Peter Davison starring as the Time Lord. In 'Kinda' (1982), the Doctor (Davison), Tegan (Janet Fielding), Adric (Matthew Waterhouse) and Nyssa (Sarah Sutton) land on paradisical Deva Loka, for rest and recuperation. However, the military expediton on the planet has lost several crew members, and the Doctor and Adric are taken hostage by the near hysterical Hindle. Meanwhile, Tegan's dreams have provided the gateway to an ancient evil, the snake-like Mara. The Doctor must prevent the Mara from taking over the Kinda and destroying the expedition, as the wheel of creation begins to turn. In 'Snakedance' (1983), a loose sequel to 'Kinda', Tegan must have made a mistake when she was setting the co-ordinates for the TARDIS, because the Doctor certainly hadn't intended landing on Manussa. When the Doctor learns that Manussa was once the home of the Sumaran Empire, he realises that an evil force has begun to take over Tegan's will. This force, the Mara, is planning to use Tegan as a vehicle to retake power on Manussa. Just as the celebrations to commemorate the destruction of the Sumaran Empire by the Federation are about to take place, the Legend of Mara is about to come true.

Why is love not enough for children whose early lives have been disturbing? What makes it so hard for such children to make the most of new relationships? How can we help children whose minds are adapted to adversity take in new experience? In the new era of brain research, neuroscience shows the way ahead."Being Taken In" looks at the neuroscience showing how the mother/infant framing relationship wires in our way of understanding the world, and sets a navigation system, complete with built-in danger alerts. For disturbed children, these danger alerts are everywhere, and can even be triggered by the caregiver themselves. This makes the world a disturbing place, not just in the past, but right now. This book applies neuroscience and child development research to clinical practice, and points to emotional regulation through attunement and reflexivity as key factors in effecting change. This is the scientific rationale for psychoanalytic psychotherapy, which enhances neural plasticity, wiring in new connections in the brain through the therapeutic relationship, in much the same way as the early framing relationship."Being Taken In" offers insight from child psychotherapy, psychoanalysis, child development research and neuroscience which will be of use to all those living and working with disturbed children.

All 12 episodes of the Black Guardian trilogy from the twentieth season of the long-running sci-fi series. On discovering public schoolboy Turlough lost aboard an apparently abandoned cruiser in space, the Doctor (Peter Davison) transports to Earth in 1983, only to meet up with his old friend friend and UNIT colleague, Brigadier Lethbridge-Stewart, who has apparently lost all memory of him. Back in 1977, Tegan and Nyssa meet the younger Brigadier and a disfigured alien they believe could be a regenerating Doctor. However, it turns out that this is all in fact part of a plot to destroy the Doctor by the Black Guardian, who has made a deal with Turlough to grant him transportation away from Earth if he kills the Doctor. Episodes are: 'Mawdryn Undead (Parts 1-4)', 'Terminus (Parts 1-4)' and 'Enlightenment (Parts 1-4)'.

Alien Heart by Stephen Cole. In the TARDIS, the Doctor and Nyssa stumble across a trail of ten destroyed worlds, all of them obliterated by means of some utterly monstrous but utterly unknown device. The planet Traxana would seem to be next in line to suffer the same fate. But when the TARDIS lands on an outpost on Traxana's moon, Nyssa is carried away by a tide of giant green arachnoids, leaving the Doctor behind. And the coming menace is closer than he thinks. Dalek Soul by Guy Adams. On the Dalek-occupied world of Mojox, a group of rebels is engaged in a futile fightback against the invaders - but at last they they've found an ally, in the form of the mysterious Doctor. Elsewhere, however, the Daleks' Chief Virologist is seeking to perfect a biological weapon to wipe out the Mojoxalli, once and for all. Her name...is Nyssa. Big Finish have been producing Doctor Who audios since 1999, starring Tom Baker, Peter Davison, Colin Baker, Sylvester McCoy, Paul McGann, David Tennant and John Hurt. Alien Heart / Dalek Soul is one of three main 2017 Doctor Who titles consisting of two two-part stories, in a change from the usual four-parters.The Daleks are voiced by Big Finish executive producer Nicholas Briggs- who provides the voices for the metal monsters on television's Doctor Who. CAST: Peter Davison (The Doctor), Sarah Sutton (Nyssa), Eve Webster (Sonderal), Geoffrey Newland (Elthar), Alex Tregear (Theebe), Vineeta Rishi (Falex), and Nicholas Briggs (the voice of the Daleks).

Containing two new adventures: Interstitial - when the tardis is drawn off-course by temporal disruption, the Doctor and his companions discover a research facility conducting dangerous experiments. But how do you fight the future when time itself is being used as a weapon? Feast of Fear - At the height of the Irish famine, a carnival travels the country bringing cheer to all they encounter. But is also brings something else along with them...and it already has the Doctor. CAST: Peter Davison (The Doctor), Sarah Sutton (Nyssa), Janet Fielding (Tegan Jovanka), George Watkins (Marc), Jeremy Ang Jones (Jennings), Melissa Dean (Brianna), Peter Heenan (Armstrong), Niamh McGrady (Shannon), Deirdre Mullins (The Spae Wife), Anna- Maria Nabirye (Kalu), Michael Yare (Lorcan).

63BC. Following the overthrow of Catiline, Cicero and his wife retire to the coastal town of Cumae, safe from the threats of Rome. But when a stranger and his companions arrive at Cicero’s villa, new dangers lie in wait and Cicero finds himself plunged into a realm of gods and monsters. His only hope of returning home lies with a man known as the Doctor. But can Cicero trust him? CAST: Peter Davison (The Doctor), Sarah Sutton (Nyssa), Janet Fielding (Tegan Jovanka), Samuel Barnett (Cicero), Laura Riseborough (Terentia), George Watkins (Marc), Joe Shire (Septus), Tracy-Ann Oberman (Tartarus). Other parts played by members of the cast.

A walking tour guide meets a ghost who says her tour is being used to bring a terrible being into our world. Before he died, the ghost was known as the Doctor. Big Finish have been producing Doctor Who audios since 1999, starring Tom Baker, Peter Davison, Colin Baker, Sylvester McCoy, Paul McGann, David Tennant and John Hurt. This release's director - Barnaby Edwards - is not only a prolific Big Finish director, but as an actor is the lead Dalek operator on TV's Doctor Who. Writer James Goss is the official representative of the Douglas Adams Estate, tasked with adapting the Sci-Fi/comedy legend's work as novels. CAST: Peter Davison (The Doctor), Janet Fielding (Tegan Jovanka), Sarah Sutton (Nyssa), Matthew Waterhouse (Adric), Fenella Woolgar (Leanne), Sacha Dhawan (Matthew), Stephen Greif (Sabaoth), Carolyn Seymour (Mrs Stubbs), Philip Childs (Giles), John Banks (Louie), Rebecca Tromans (Nancy).

On the planet Cicero Prime, the kingdom of Cardenas is divided, with the whole population forced to swear allegiance to either the effete Duke or the fiery, hard-edged Duchess. This is a situation both parties have grown tired of. What use is half a kingdom when, thanks to a carefully engineered murder, you could have it all? Surely, neither of them would be rash enough to summon the deadly off-world assassin The Scorpion to help with their problem? And surely, this terrifying figure wouldn't arrive wearing a long cream coat and striped trousers...? Big Finish have been producing Doctor Who audios since 1999, starring Tom Baker, Peter Davison, Colin Baker, Sylvester McCoy, Paul McGann, David Tennant and John Hurt. This release's director Barnaby Edwards is not only a prolific Big Finish director, but as an actor is the lead Dalek operator on TV's Doctor Who. Cast: Peter Davison (The Doctor), Janet Fielding (Tegan Jovanka), Sarah Sutton (Nyssa), Matthew Waterhouse (Adric), Jonathan Firth (Sebastian, Duke of Cardenas), Charlotte Lucas (Duchess Miranda),Harriet Thorpe (Amelia), Tim Bentinck (Lord Crozion), Richenda Carey (Lady Crozion), Piotr Hatherer (Tomek),Patsy Kensit (Mercenary),Harry Smith (Additional Voices).

Peter Davison, Janet Fielding and Sarah Sutton reprise their roles as The Doctor, Tegan and Nyssa, in a run of stories following on from 1983's adventure The Arc of Infinity. Reunited with the Doctor and Nyssa, Tegan joins them on a trip to Amsterdam's Rijkmuseum to see a new exhibition of the work of Rembrandt van Rijn, featuring his drawings of "Vessels of the Stars". The Doctor is astonished to discover that they are designs for spaceships that would actually work, and decides to pop back to the Dutch Golden Age for a quiet word with Rembrandt - but the world-weary artist is no mood to help. Meanwhile, strange forces are swirling in the canals, creatures from ancient myth, the watery, goblin-like Nix. What is their connection to the mysterious Countess Mach-Teldak - and to the events of Tegan's life during her year away from the Doctor? Forever kept busy, Peter Davison's most recently been seen on the London stage in the critically acclaimed The Vertical Hour, and in the musical Gypsy opposite Imelda Staunton. The Doctor, Nyssa and Tegan team first met in 1981's Doctor Who adventure Logopolis, where Tegan and Nyssa were on hand to help the Doctor (Tom Baker) regenerate into his fifth incarnation (Peter Davison). Writer Jonathan Morris has been responsible for some hugely popular Doctor Who stories for Big Finish, most recently with 2015's We Are The Daleks...CAST: Peter Davison (The Doctor), Janet Fielding (Tegan), Sarah Sutton (Nyssa), Tim Delap (Kyle), Richard James (Rembrandt Van Rijn), Elizabeth Morton (Teldak), Robbie Stevens (Polsbroek/Nix), Wayne Forester (Glauber).

Peter Davison, Janet Fielding and Sarah Sutton reprise their roles as The Doctor, Tegan and Nyssa, in a run of stories following on from 1983's adventure The Arc of Infinity: Today should be much like every other day for Hargreaves, the computer consciousness that co-ordinates daily life aboard the spaceship Aquitaine, stationed on the outer fringes of a black hole. Water the plants, run the diagnostics, cook the Captain's breakfast; then tidy the plates away, rotate the ship, clean the windows of the observation deck. When at last the day's work is done, Hargreaves will dim the lights in the sleeping quarters. But no-one will sleep aboard the Aquitaine tonight. Because the Aquitaine's crew is missing. But today will be different. Today, a space/time ship called the TARDIS will materialise in the botanical section, bringing the Doctor, Nyssa and Tegan aboard the Aquitaine. Together, they'll seek to discover the truth of what happened to Hargreaves' crew...if only the ghosts will let them. Forever kept busy, Peter Davison's most recently been seen on the London stage in the critically acclaimed The Vertical Hour, and in the musical Gypsy opposite Imelda Staunton. The Doctor, Nyssa and Tegan team first met in 1981's Doctor Who adventure Logopolis, where Tegan and Nyssa were on hand to help the Doctor (Tom Baker) regenerate into his fifth incarnation (Peter Davison). One of Big Finish's last outings with The Fifth Doctor, Tegan and Nyssa was in Doctor Who - The Fifth Doctor Boxed Set, one story from which (Iterations of I) won the Scribe Award at the 2015 San Diego Comic Con. CAST: Peter Davison (The Doctor), Janet Fielding (Tegan), Sarah Sutton (Nyssa), Matthew Cottle (Hargreaves), Harry Myers (Dr Sergei Akunin), Nina Sosanya (Captain Anna Maynard), Gerald Kyd (Lt Maurizio Savinio), Danusia Samal (Lt Freya Jennings).

During one of Nyssa's experiments, the TARDIS's temporal scanner picks up a message: 'Idra'. Just one word, but enough to draw the Doctor to the Archipelago of Sirius. There, the Autarch is about to announce a new crusade. A mighty war against Seth, Prince of the Dark. But who is Seth?

When the Doctor (Peter Davison) tries to take Tegan (Janet Fielding) back to Heathrow Airport, the Tardis arrives in the 17th century instead of the 20th century. The time-travellers discover that a space capsule has landed nearby and its alien occupants intend to wipe out life on Earth by releasing rats infected with a great plague.